We're All Going to the World's Fair (2021) is a uniquely unsettling exploration of internet loneliness and identity in the digital age. The film follows Casey, a socially isolated teenager who becomes deeply involved in an online horror game called the 'World's Fair Challenge.' As she documents her experiences through webcam videos, the boundaries between reality, performance, and genuine psychological transformation begin to blur in disturbing ways.

Director Jane Schoenbrun creates a masterful atmosphere of creeping dread through intimate cinematography that makes viewers feel like they're peering directly into Casey's digital world. Anna Cobb delivers a remarkable debut performance, capturing the vulnerability and eerie detachment of a teenager seeking connection through potentially dangerous online spaces. The film's minimalist approach amplifies its psychological horror, relying on suggestion and atmosphere rather than traditional jump scares.

What makes We're All Going to the World's Fair particularly compelling is its authentic portrayal of internet subcultures and the genuine emotional needs that drive people to participate in them. The film raises profound questions about identity, reality, and the human need for belonging in an increasingly digital world. Viewers should watch this film for its thoughtful examination of contemporary anxieties, its innovative approach to horror storytelling, and its haunting meditation on what happens when the lines between online persona and real self begin to dissolve.